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SELF DETERMINATION, EMBODIED LANGUAGES AND LANDSCAPES IN WOMEN'S VIDEO ART

Yıl 2016, Cilt: 2 Sayı: 5, 398 - 406, 26.08.2016

Öz

This paper addresses how, since the 1960s to the present, part of women's video art has broken the traditional representation of women’s body and proposed new forms of recording women's images, explicit or symbolic, using body part close-ups, and not sparing any efforts to ensure the prevention of the cataloguing of women’s bodies according to normative categories, such as gender, race and age, and in this way challenging the Western representation codes that objectify women. The methodology employed had as its primary purpose the examination of the association existing between the micro-sociological level of body gestures and performances in women's videos and the macro-sociological level of social forces such as the dimensions of gender and sexuality. This study concluded that narratives of identity and self-determination are present in women's video pieces contributing to women's empowerment through visual discourses that could possibly point to the production of new signs and symbols, new values and models, but also for the formation of new types of social roles and even a new type of interpersonal relationships.

Keywords: Video art, feminism, the Subject, self-determination, gender, body.

Kaynakça

  • Frederike Pezold: The New Embodied Sign Language". [Online] [Consult. 2009-03-01]. Media Art Net | Frederike Pezold, Embodied: The New Sign Language. http://www.mediaartnet.org/works/leibhaftige-zeichensprache/images/3/.
  • Galerie Ernst Hilger - Solo show: Nan Hoover". [Online] [Consult. 2009-06-01]. Overview - Solo show: Nan Hoover – Hilger modern. http://www.artfacts.net/en/exhibition/nan-hoover-10543/overview.html
  • Elwes, C. (2005). Video Art, a Guided Tour. London: I.B. Tauris.
  • Giddens; A.; Sutton, p. w. (2014). Essential Concepts in Sociology. Cambridge: Polity Press.
  • Kipnis, L. (1996). "Female Transgression. In Resolutions: Contemporary Video Practices". In Renov, M.; Suderburg, E. (eds.). Resolutions: Contemporary Video Practices. Minneapolis: University of Minnesota Press.
  • Lippard, L. R. (1976). From the Center: Feminist Essays on Women's Art. United States of America: Dutton.
  • López, S. (2007). "Karla Solano: fotografía, espacios y arquitectura". [Online] [Consult. 2009-03-04]. ARTMEDIA. (julio 07). Karla Solano-Costa Rica Contemporary Photography. http://www.karlasolano.com/.
  • Moisdon, S. (1992). "Friederike Pezold". In Vidéo et aprés. La collection vidéo du Musée national d'art moderne Centre Georges Pompidou. [Catalog]. Paris: Éditions du Centre Georges Pompidou.
  • Pérez-Ratton, V. (2007). "Central American Women Artists in a Global Age". In Global Feminisms. [Catalog]. London: Merrell Publishers Limited in association with Brooklyn Museum.
  • Phelan, P. (2001). "Survey". In Reckitt, H; Phelan, p. (eds.). Art and Feminism. London: Phaidon Press.
  • Pollock, G.; Parker, R. (1981). Old Mistresses: Women, Art and Ideology. Great Britain: Rivers Oram Press/Pandora.
  • Schneemann, C. apud Juhasz A. (ed.) (2001). Women of Vision: Histories in Feminist Film and Video. Minneapolis: University of Minnesota Press.
  • Stoschek, J. (2006). "Die Neue Leibhaftige Zeichensprache. Friederike Pezold". In Frieling, R.; Herzogenrath, W. (eds.). 40yearsvideoart.De-Part 1: Digital Heritage: Video Art in Germany from 1963 to the Present. Germany: Hatje Cantz.
  • Tickner, L. (1989). "The body politic: female sexuality and women artists since 1970". In Betterton, R. (ed.). Looking On. Images of Femininity in the Visual Arts and Media. London: Pandora Press,
  • Walby, S. (2011). The Future of Feminism. UK: Polity.
  • Wark, J. (2006). Radical gestures: feminism and performance art in North America, 1970-2000. Canada: McGill-Queen's University Press.
  • Zippay, L. (1991). Artists' Video: An International Guide. Electronic Arts Intermix. [Catalog]. New York: Electronic Arts Intermix.

Yıl 2016, Cilt: 2 Sayı: 5, 398 - 406, 26.08.2016

Öz

Kaynakça

  • Frederike Pezold: The New Embodied Sign Language". [Online] [Consult. 2009-03-01]. Media Art Net | Frederike Pezold, Embodied: The New Sign Language. http://www.mediaartnet.org/works/leibhaftige-zeichensprache/images/3/.
  • Galerie Ernst Hilger - Solo show: Nan Hoover". [Online] [Consult. 2009-06-01]. Overview - Solo show: Nan Hoover – Hilger modern. http://www.artfacts.net/en/exhibition/nan-hoover-10543/overview.html
  • Elwes, C. (2005). Video Art, a Guided Tour. London: I.B. Tauris.
  • Giddens; A.; Sutton, p. w. (2014). Essential Concepts in Sociology. Cambridge: Polity Press.
  • Kipnis, L. (1996). "Female Transgression. In Resolutions: Contemporary Video Practices". In Renov, M.; Suderburg, E. (eds.). Resolutions: Contemporary Video Practices. Minneapolis: University of Minnesota Press.
  • Lippard, L. R. (1976). From the Center: Feminist Essays on Women's Art. United States of America: Dutton.
  • López, S. (2007). "Karla Solano: fotografía, espacios y arquitectura". [Online] [Consult. 2009-03-04]. ARTMEDIA. (julio 07). Karla Solano-Costa Rica Contemporary Photography. http://www.karlasolano.com/.
  • Moisdon, S. (1992). "Friederike Pezold". In Vidéo et aprés. La collection vidéo du Musée national d'art moderne Centre Georges Pompidou. [Catalog]. Paris: Éditions du Centre Georges Pompidou.
  • Pérez-Ratton, V. (2007). "Central American Women Artists in a Global Age". In Global Feminisms. [Catalog]. London: Merrell Publishers Limited in association with Brooklyn Museum.
  • Phelan, P. (2001). "Survey". In Reckitt, H; Phelan, p. (eds.). Art and Feminism. London: Phaidon Press.
  • Pollock, G.; Parker, R. (1981). Old Mistresses: Women, Art and Ideology. Great Britain: Rivers Oram Press/Pandora.
  • Schneemann, C. apud Juhasz A. (ed.) (2001). Women of Vision: Histories in Feminist Film and Video. Minneapolis: University of Minnesota Press.
  • Stoschek, J. (2006). "Die Neue Leibhaftige Zeichensprache. Friederike Pezold". In Frieling, R.; Herzogenrath, W. (eds.). 40yearsvideoart.De-Part 1: Digital Heritage: Video Art in Germany from 1963 to the Present. Germany: Hatje Cantz.
  • Tickner, L. (1989). "The body politic: female sexuality and women artists since 1970". In Betterton, R. (ed.). Looking On. Images of Femininity in the Visual Arts and Media. London: Pandora Press,
  • Walby, S. (2011). The Future of Feminism. UK: Polity.
  • Wark, J. (2006). Radical gestures: feminism and performance art in North America, 1970-2000. Canada: McGill-Queen's University Press.
  • Zippay, L. (1991). Artists' Video: An International Guide. Electronic Arts Intermix. [Catalog]. New York: Electronic Arts Intermix.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Teresa Furtado

Yayımlanma Tarihi 26 Ağustos 2016
Gönderilme Tarihi 24 Ağustos 2016
Yayımlandığı Sayı Yıl 2016Cilt: 2 Sayı: 5

Kaynak Göster

EndNote
Furtado T (01 Ağustos 2016) SELF DETERMINATION, EMBODIED LANGUAGES AND LANDSCAPES IN WOMEN’S VIDEO ART. IJASOS- International E-journal of Advances in Social Sciences 2 5 398–406.

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