THE CONCEPT OF HALAL IN VISUAL ART MARKETING STRATEGY: A RESEARCH MODEL DEVELOPMENT
Year 2019,
Volume: 5 Issue: 14, 900 - 907, 15.09.2019
İshak Ramli
,
Mohamad Noorman Masrek
,
Mumtaz Mokhtar
D’zul Haimi Md Zain
Mohamad Rahimi Osman
Zarlina Mohd Zamari
Abstract
Visual art marketing strategy is a crucial
aspect to be taken into consideration in order to ensure the continuous
development of visual art field. It assists visual art practitioners to keep
being productive in their efforts to come out with more art pieces to be sold.
A few previous researches featured several marketing strategies for visual
arts: nevertheless, there is no attempt to look at visual art marketing from
the perspective of Islamic shariah. With uncertainties looming on visual art’s
place in marketing world, the researchers recognize the need to study the
concept of Islamic shariah in visual art marketing strategies. Based on this
identified research gap, this study aims to produce a model that is related to
the Islamic shariah concept regarding visual art marketing strategies. As a
result, the discussion on the model involves several aspects namely: 1)
product; 2) production process; 3) market place; 4) retailer / collectors; and
5) transactions. Recommendation for future research direction in this area is a
more comprehensive study on Islamic marketing strategies in visual art.
References
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Rezai, G., Mohamed, Z., & Shamsudin, M. N. (2012), Non-Muslim consumers’ understanding of halal principles in Malaysia. Journal of Islamic Marketing, 3(1), 35-46.
Rodner, V.L., & Kerrigan, F. (2014). "The art of branding - lessons from visual artists", Arts Marketing: An International Journal, Vol. 4 Issue: 1/2, pp.101-118, https://doi.org/10.1108/AM-02-2014-0013
Ya, S., Nor, M. M. N., Noor, S. M. and Ahmad, Z. (2017). Purchase Intention of Islamic Brand Product among Non-Muslim Customers. Pertanika Journal of Social Sciences & Humanities, Vol. 25 (S) Dec. 2017.
Yusof, M., & Jusoh, W. (2014). Islamic branding: The understanding and perception. Procedia – Social and Behavioral Sciences, 130, 179-185.
Year 2019,
Volume: 5 Issue: 14, 900 - 907, 15.09.2019
İshak Ramli
,
Mohamad Noorman Masrek
,
Mumtaz Mokhtar
D’zul Haimi Md Zain
Mohamad Rahimi Osman
Zarlina Mohd Zamari
References
- Al-Bakri, Z.M. (2014). Maqasid Al-Syariah: Satu Pengenalan Umum. Negeri Sembilan: Pustaka Cahaya Kasturi Sdn. Bhd.
Alserhan, B.A. (2010). Islamic branding: A conceptualization of related terms. Brand Management, 18(1), 34-49.
Christie, R. (1998). “Marketing strategies for visual artists”, Canadian Artists Representation / Le Front Des Artistes Canadiens CARFAC Advisory Notes, retrieved on Dec 25, 2018 from https://carfac.sk.ca/assets/advisorynotes62.pdf
Halal Malaysia Official Portal, (n.d). Definition of Halal, retrieved on Feb 12, 2019 from http://www.halal.gov.my/v4/index.php?data=bW9kdWxlcy9uZXdzOzs7Ow==&utama=panduan&ids=gp1
Hussain, A.A. (2012). Manhaj Ilmu Fiqah & Usul Fiqah. Kuala Lumpur: Telaga Biru Sdn. Bhd.
Jafari, A. (2012). "Islamic marketing: insights from a critical perspective", Journal of Islamic Marketing, Vol. 3 Issue: 1, pp.22-34, https://doi.org/10.1108/17590831211206563
Lee, J.W., & Lee, S.H. (2017). “Marketing from the art world: a critical review of American research in arts marketing”, Journal of Arts Management, Law, and Society, Vol. 47, Issue 1, http://dx.doi.org/10.1080/10632921.2016.1274698
Nurhayati, I. K., Suganda, D., Bajari, A., & Kurniasih, N. (2017). Metadiscourse markers in indonesian halal cosmetics advertising: A multimodal analysis. Advanced Science Letters, 23(5), 4487-4491. doi:10.1166/asl.2017.8960
Ocvirk, O.G., Stinson, R.E., Wigg, P.R., Bone, R.O., & Cayton, D.L. (2006). Art Fundamentals: Theory and Practice, Tenth Edition, McGraw-Hill: New York.
Papavasiliou, E. (2011). “What’s your brand? A marketing strategy for artists”, Visual Arts Voice, CARFAC British Columbia, Vol. 14 Winter 2011, pp. 9-10, retrieved on Jan 4, 2019 from http://www.carfacbc.org/wp-content/uploads/2010/09/CARFAC-Newsletter-11Feb11final-col.pdf
Preece, C., Kerrigan, F., & O’Reilly, D. (2016). "Framing the work: the composition of value in the visual arts", European Journal of Marketing, Vol. 50 Issue: 7/8, pp.1377-1398, https://doi.org/10.1108/EJM-12-2014-0756
Ramli, I., Mokhtar, M., Zain, D.H.M., Osman, M.R., Masrek, M.N., Gani, M.A.A.A., & Zamri, Z.M. (2018). “Existing Islamic Fatwa’s and Guidelines Pertaining to the Usage of Subject and Style in Visual Art: the Literature Discussion and Research Gap Identification”, International Journal of Engineering and Technology, Vol 7, No 3.21, pp. 517-522, DOI: 10.14419/ijet.v7i3.21.17226.
Rezai, G., Mohamed, Z., & Shamsudin, M. N. (2012), Non-Muslim consumers’ understanding of halal principles in Malaysia. Journal of Islamic Marketing, 3(1), 35-46.
Rodner, V.L., & Kerrigan, F. (2014). "The art of branding - lessons from visual artists", Arts Marketing: An International Journal, Vol. 4 Issue: 1/2, pp.101-118, https://doi.org/10.1108/AM-02-2014-0013
Ya, S., Nor, M. M. N., Noor, S. M. and Ahmad, Z. (2017). Purchase Intention of Islamic Brand Product among Non-Muslim Customers. Pertanika Journal of Social Sciences & Humanities, Vol. 25 (S) Dec. 2017.
Yusof, M., & Jusoh, W. (2014). Islamic branding: The understanding and perception. Procedia – Social and Behavioral Sciences, 130, 179-185.