Abstract
References
- Allen, G. (2000). Intertextuality. London and New York: Routledge Bacchilega, C.(1999). Postmodern Fairy Tales: Gender and Narrative Strategies.Philadelphia: University of Pennsylvania press. Baer, E. R. (2005) A Postmodern fairy tale of the Holocaust: Jane Yolen's "Briar Rose”. Studies in American Jewish Literature, 24.145-152 Retrieved 24-10-2014 http://www.jstor.org/stable/41206033?origin=JSTOR-pdf Barry, P.(2008). Beginning Theory: An Introduction to Literary and Cultural Theory. New Delhi: Viva Books Barthes, R. (1977). Image-Music-Text. Translated by Stephen Heath. London: Fontana Benson, S.(2008.)Contemporary Fiction And The Fairy Tale. Michigan: Wayne State University Press. Crews, B.(1999). "Postmodernist narrative: In search of an alternative." Alicante Journal of English Studies.12 19-36. Cuddon, J A.(1999). The Penguin Dictionary of Literary Terms and Literary Theory. England: Penguin Books. Cuddon, J A.(2000).The Penguin Dictionary of Literary Terms and Literary Theory. England: Penguin Books. Joe, R. (Producer) & Robert, S (Director). (2014). Maleficent. [ Motion Picture]. USA: Walt Disney Pictures Jorgenson, J. (2007). "A wave of the magic wand: Fairy Godmothers in Contemporary American Media." Marvels & Tales, 21(2) 216-227 Kristeva, J,(1986).Word, Dialogue, and Novel., In Moi, Toril, ed, The Kristeva Reader. ,34-37. Lane, A.(2014,Nov 4) Tales Retold. The NewYorker Times. Retrieved from http://www.newyorker.com/magazine/2014/06/09/tales-retold Lyotard, J. F.(1984) "Answering the Question: What is Postmodernism” Tran. Geoff Bennington and Brian Massumi. The Postmodern Condition: A Report on Knowledge Pokrivcak, A, and Silvia P. (2006). Understanding Literature. Brno: MSD. Print Sharma, R., and Preety, C. (2011) "Common themes and techniques of Postmodern."International Journal of Educational Planning & Administration. 1(2) 189-198. Smith, K.P. (2007) The Postmodern Fairy Tale: Folkloric Intertexts in Contemporary Fiction. NewYork: Palgrave Macmillan Tatar, M. (2002). The Annotated Classic Fairy Tales. New York: Norton. The Sleeping Beauty. (1873). The Sleeping Beauty. The Aldine, 6(9), 184–185. Retrieved from http://www.jstor.org/stable/20636611 Yaqoob, M. & Saira, S. (2012). Kamila Shamsie's Burnt Shadows as an intertextual re-writing of Forster's Passage to India. Academic Research International, 2 (1) 478 Zipes, J.(2013) Fairy Tale as Myth/Myth as Fairy Tale. Lexington: The University Press of Kentucky
Abstract
The goal of the present project is to
highlight the postmodernist perspective
of the fairy tale themes in the movie Maleficent
(2014) through Intertextuality. The present study aims to highlight the
rejection of authority by the Contemporary American Fairy Tale movie makers. Postmodernism
is an era where “Meta-Narratives” are
challenged and everything is being observed through a lens different from the past. Movie creators of postmodern era
have reinterpreted the original fairy tales
in ways that fit contemporary norms and circumstances. Movie creators represent
the old texts of fairy tales but have changed the title, plot and role of
characters, e.g. in Maleficent, the
antagonist of “Sleeping Beauty” now owns the title of the story, and she also
shares her part of the story, which was previously unknown.
The researcher used the eight elements that Kevin Paul Smith
has mentioned in his book Post Modern
Fairy tales, Folk Loric Intertexts in Contemporary
Fiction. The fifth element particularly, i.e. “revision”, makes the claim
of the researcher valid that Postmodernists have rejected totality and grand
narratives, they have opened new dimensions to the old stories. The story here
is given a new spin and the changes made in the story of “Sleeping Beauty” are according
to the norms of today, e.g. the women in the movie i.e. “Aurora”, the Princess and
Maleficent the Witch are given a prominent position and a voice to speak their
point of view, previously they were known through the eyes of other characters
only. These results show a change in perspectives and in the way things are now
being looked at. Fairy tales are the movies that are easily accessible to our
children, further study on this theme can help understand the society of today,
the postmodernist society.
Keywords
References
- Allen, G. (2000). Intertextuality. London and New York: Routledge Bacchilega, C.(1999). Postmodern Fairy Tales: Gender and Narrative Strategies.Philadelphia: University of Pennsylvania press. Baer, E. R. (2005) A Postmodern fairy tale of the Holocaust: Jane Yolen's "Briar Rose”. Studies in American Jewish Literature, 24.145-152 Retrieved 24-10-2014 http://www.jstor.org/stable/41206033?origin=JSTOR-pdf Barry, P.(2008). Beginning Theory: An Introduction to Literary and Cultural Theory. New Delhi: Viva Books Barthes, R. (1977). Image-Music-Text. Translated by Stephen Heath. London: Fontana Benson, S.(2008.)Contemporary Fiction And The Fairy Tale. Michigan: Wayne State University Press. Crews, B.(1999). "Postmodernist narrative: In search of an alternative." Alicante Journal of English Studies.12 19-36. Cuddon, J A.(1999). The Penguin Dictionary of Literary Terms and Literary Theory. England: Penguin Books. Cuddon, J A.(2000).The Penguin Dictionary of Literary Terms and Literary Theory. England: Penguin Books. Joe, R. (Producer) & Robert, S (Director). (2014). Maleficent. [ Motion Picture]. USA: Walt Disney Pictures Jorgenson, J. (2007). "A wave of the magic wand: Fairy Godmothers in Contemporary American Media." Marvels & Tales, 21(2) 216-227 Kristeva, J,(1986).Word, Dialogue, and Novel., In Moi, Toril, ed, The Kristeva Reader. ,34-37. Lane, A.(2014,Nov 4) Tales Retold. The NewYorker Times. Retrieved from http://www.newyorker.com/magazine/2014/06/09/tales-retold Lyotard, J. F.(1984) "Answering the Question: What is Postmodernism” Tran. Geoff Bennington and Brian Massumi. The Postmodern Condition: A Report on Knowledge Pokrivcak, A, and Silvia P. (2006). Understanding Literature. Brno: MSD. Print Sharma, R., and Preety, C. (2011) "Common themes and techniques of Postmodern."International Journal of Educational Planning & Administration. 1(2) 189-198. Smith, K.P. (2007) The Postmodern Fairy Tale: Folkloric Intertexts in Contemporary Fiction. NewYork: Palgrave Macmillan Tatar, M. (2002). The Annotated Classic Fairy Tales. New York: Norton. The Sleeping Beauty. (1873). The Sleeping Beauty. The Aldine, 6(9), 184–185. Retrieved from http://www.jstor.org/stable/20636611 Yaqoob, M. & Saira, S. (2012). Kamila Shamsie's Burnt Shadows as an intertextual re-writing of Forster's Passage to India. Academic Research International, 2 (1) 478 Zipes, J.(2013) Fairy Tale as Myth/Myth as Fairy Tale. Lexington: The University Press of Kentucky
Details
| Journal Section | Articles |
|---|---|
| Authors | |
| Publication Date | August 31, 2017 |
| Submission Date | September 7, 2017 |
| Published in Issue | Year 2017 |
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