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ALIREZA MASHAYEKHI'S PAINTINGS (THE CONTEMPORARY MUSICIAN) AND INFLUENCES OF HIS MUSICAL WORKS ON THEM

Year 2016, Volume: 2 Issue: 6, 659 - 667, 18.12.2016

Shila Sheedfar Navid Khalesi

https://doi.org/10.18769/ijasos.280346

Abstract

There are many differences In the Arts in delivering their
message by their   particular language.
However, at any time, such as the recent times, the arts are not so close
together, the Period which is characterized by abstraction and fading the
boundary between arts is its special characteristic. Alireza Mashayekhi As an
influential musician, by creativity and change the look of the classical music
of the 18th century could be established the modern music in Iran.



This study has attempted to investigate the A. Mashayekhi's
painting as the artist with the art of painting and music trends, analyze his
works, and review the influences of his music on his paintings. The main
purpose of this research is extraction, analysis of qualitative and
quantitative indicators of paintings and musical works of A. Mashayekhi and
comparative study in some of his paintings and music. There is direct
relationship between the painting's detachment and abstraction, with his music
form, and there are common aspects in his paintings and his music, that is   ideas of modernism, are the hypothesis of
this study. The method is Comparative Study, through library studies, fieldwork
and analysis, and inferences and conclusions are based on cross-sectional
method.

Keywords

Aalireza Mashayekhi Musical elements Paintings on canvas of Alireza mashayekhi

References

  • Abedini Manesh – Sh, 2009, Note Writing in Mashayekhi’s Works Collection, first edition, Tehran- Cheshmeh publication,81 pages
  • Abraham- J, 2011, Oxford Music Summarized History, translated by N.Choobineh, second edition,Tehran-Mahoor Cultural –Art Institute, 904 pages
  • Ahmadi –B. 2010, musicology, eight editions, Tehran- Markaz publication, 517 pages
  • Asgari –M. 2008, Continuity of Thinking, first edition, Tehran – Cheshmeh publication, 292 pages
  • Childs –P., 2013, Modernism, translated by R-Rezaei,fourth edition,Tehran- Mahi publication, 268 pages
  • Dandys –A. Donis, 2011, Visual Knowledge Introduction, translated by M-R-Afzal, first edition, Tehran –Yazad publication, 249 pages
  • Esposobin –E, V, 2010, Form of music, translated by M,Ebrahim, first edition, Tehran –Hamavaz publication,352 pages
  • Gambrige- A, 2011, History of Art, translated by E- Ramin, seventh edition, Tehran- Ney publication, 674 pages
  • Golsabahy –G. 2003, Towards East, first edition, Tehran, Talkhoon, 1350 pages
  • Goudarzi (Dibaj)- M, 2009, Analysis Method of Painting Works, second edition, Tehran –Ataei publication Institute,167 pages
  • Grifith –P. 2007 Century Modern Music Translation by K-Mirhadi, second edition, Tehran –Afkar publication, 288 pages
  • Halimi- M, 2012, Principles and Basic of Visual Arts, tenth edition, Tehran- Ehya ketab publication, 319 pages
  • Hosseini-S 2010, Sohrab Hosseini’s Conversation with Alireza Mashayekhi, Musical Position, 127-117:1
  • Itten –E, 2010, Design and form,translated by P.Sayyar, third edition Tehran- Soroosh publication, 206 pages
  • Kandensky –V, 2011, Dot, Line,Surface translated by P – Mohagheghzadeh, fifth edition,Tehran, Marlik publication.144 pages
  • Kandensky –V, 2011, Spirituality in Art, translated by A – Noorollah Khani, fifth edition, Tehran –Asrar Danesh publication, 155 pages
  • Clark –M, 2010, Oxford Art Expression Compacted Dictionary, translated by A.A- Rezaei, first edition, Tehran – Barg Negar publication, 314 pages
  • Pakbaz- R, 2011 Encyclopedia of Art, eleventh edition, Tehran –Farhang Moaser publication, 1033 pages
  • Read – H, 2011, History of Modern Painting, translated by Sh. Golbabaei, first edition, Tehran- Farhangsaraye Mirdashti publication, 348 pages
  • Sami Azar- E, 2012, Conceptual Revolution, first edition, Tehran- Cultural Research Institute, Nazar publication,276 pages
  • Solomon –L- J, 2010, Eric Sati, The First Modern Musician, translated by E-Masoudi Nia, Musical Position, 23:2 pages
  • Sirlout –L. 2012, Modern Art Guide, translated by N- Hashemi, fourth edition, Tehran –Saghi publication, 85 pages
  • Kamien –R, 2008, Comprehension and understanding of Music, translated by H-Yassini, seventh edition, Tehran –Cheshmeh publication, 983 pages
  • Lotfi– Sh, 2002, Basic New Methods of Music Performance, first edition, Tehran- publication of Art University,195 pages
  • Lotfi- Sh 2013, Musical Thoughts, first edition,Tehran- Dibayeh publication, 119 pages
  • Linton-N, 2014, Modern Art, translated by E- Ramin, Tehran –Ney publication, third edition, 520 pages
  • Mayer. M. F, 2012, Visual Art Basis In Baze School- Switzerland, translated by E.E Sharbeh, third edition, Tehran– Sharbeh, third edition, Tehran – Shabahang, publication, 384 pages
  • Naseri- F, 2013, Music Expression Comprehensive Dictionary, fifth edition, Tehran-Rozaneh publication, 488 pages
  • Nami- Gh, Visual Art Basic, Visual relations, seventh edition, Tehran –Toos publication, 156 pages
  • Sheperd –A. 2011, Philosophy Art, translated by E- Ramin, first edition, Tehran – Scientific and Cultural publication co. 307 pages
  • Sarmad -Z, Bazargan – E, Hejzi –A, 2002, Research methods, in behavioral sciences, Tehran –Agah publication, 250 pages
  • Turek –R, 2011, Elements of music, translated by E-Seyed Ahmadian, second edition, Tehran-Mahoor Cultural –Art Institute, 528 pages
  • Turek– R. 2011, Basic Form and Musical Forms translated by M.Elhamian, first edition, Tehran-Part publication, 304 pages
  • The convergence of music, 2009- Adomo’s physiognomical Image of Mahler,I painting and language” E-Theses online, Durham university, Durham, UK
  • The Musical Quarterly On Some Relationships between 1995-Adorno T W, Gillespie S, 66-79 PP.1 79 Music and Painting “ Vol”.
  • Mashayekhi A. 2008. Composition. Available from: [Accessed 7 January 2015]. /en/compositions.htm http://www.alirezamashayekhi.com
  • Veguri R. 2014. Projects. Available from: http://toermagazine.com/tag/projects[Accessed 7 January 2015].

Year 2016, Volume: 2 Issue: 6, 659 - 667, 18.12.2016

Shila Sheedfar Navid Khalesi

https://doi.org/10.18769/ijasos.280346

Abstract

References

  • Abedini Manesh – Sh, 2009, Note Writing in Mashayekhi’s Works Collection, first edition, Tehran- Cheshmeh publication,81 pages
  • Abraham- J, 2011, Oxford Music Summarized History, translated by N.Choobineh, second edition,Tehran-Mahoor Cultural –Art Institute, 904 pages
  • Ahmadi –B. 2010, musicology, eight editions, Tehran- Markaz publication, 517 pages
  • Asgari –M. 2008, Continuity of Thinking, first edition, Tehran – Cheshmeh publication, 292 pages
  • Childs –P., 2013, Modernism, translated by R-Rezaei,fourth edition,Tehran- Mahi publication, 268 pages
  • Dandys –A. Donis, 2011, Visual Knowledge Introduction, translated by M-R-Afzal, first edition, Tehran –Yazad publication, 249 pages
  • Esposobin –E, V, 2010, Form of music, translated by M,Ebrahim, first edition, Tehran –Hamavaz publication,352 pages
  • Gambrige- A, 2011, History of Art, translated by E- Ramin, seventh edition, Tehran- Ney publication, 674 pages
  • Golsabahy –G. 2003, Towards East, first edition, Tehran, Talkhoon, 1350 pages
  • Goudarzi (Dibaj)- M, 2009, Analysis Method of Painting Works, second edition, Tehran –Ataei publication Institute,167 pages
  • Grifith –P. 2007 Century Modern Music Translation by K-Mirhadi, second edition, Tehran –Afkar publication, 288 pages
  • Halimi- M, 2012, Principles and Basic of Visual Arts, tenth edition, Tehran- Ehya ketab publication, 319 pages
  • Hosseini-S 2010, Sohrab Hosseini’s Conversation with Alireza Mashayekhi, Musical Position, 127-117:1
  • Itten –E, 2010, Design and form,translated by P.Sayyar, third edition Tehran- Soroosh publication, 206 pages
  • Kandensky –V, 2011, Dot, Line,Surface translated by P – Mohagheghzadeh, fifth edition,Tehran, Marlik publication.144 pages
  • Kandensky –V, 2011, Spirituality in Art, translated by A – Noorollah Khani, fifth edition, Tehran –Asrar Danesh publication, 155 pages
  • Clark –M, 2010, Oxford Art Expression Compacted Dictionary, translated by A.A- Rezaei, first edition, Tehran – Barg Negar publication, 314 pages
  • Pakbaz- R, 2011 Encyclopedia of Art, eleventh edition, Tehran –Farhang Moaser publication, 1033 pages
  • Read – H, 2011, History of Modern Painting, translated by Sh. Golbabaei, first edition, Tehran- Farhangsaraye Mirdashti publication, 348 pages
  • Sami Azar- E, 2012, Conceptual Revolution, first edition, Tehran- Cultural Research Institute, Nazar publication,276 pages
  • Solomon –L- J, 2010, Eric Sati, The First Modern Musician, translated by E-Masoudi Nia, Musical Position, 23:2 pages
  • Sirlout –L. 2012, Modern Art Guide, translated by N- Hashemi, fourth edition, Tehran –Saghi publication, 85 pages
  • Kamien –R, 2008, Comprehension and understanding of Music, translated by H-Yassini, seventh edition, Tehran –Cheshmeh publication, 983 pages
  • Lotfi– Sh, 2002, Basic New Methods of Music Performance, first edition, Tehran- publication of Art University,195 pages
  • Lotfi- Sh 2013, Musical Thoughts, first edition,Tehran- Dibayeh publication, 119 pages
  • Linton-N, 2014, Modern Art, translated by E- Ramin, Tehran –Ney publication, third edition, 520 pages
  • Mayer. M. F, 2012, Visual Art Basis In Baze School- Switzerland, translated by E.E Sharbeh, third edition, Tehran– Sharbeh, third edition, Tehran – Shabahang, publication, 384 pages
  • Naseri- F, 2013, Music Expression Comprehensive Dictionary, fifth edition, Tehran-Rozaneh publication, 488 pages
  • Nami- Gh, Visual Art Basic, Visual relations, seventh edition, Tehran –Toos publication, 156 pages
  • Sheperd –A. 2011, Philosophy Art, translated by E- Ramin, first edition, Tehran – Scientific and Cultural publication co. 307 pages
  • Sarmad -Z, Bazargan – E, Hejzi –A, 2002, Research methods, in behavioral sciences, Tehran –Agah publication, 250 pages
  • Turek –R, 2011, Elements of music, translated by E-Seyed Ahmadian, second edition, Tehran-Mahoor Cultural –Art Institute, 528 pages
  • Turek– R. 2011, Basic Form and Musical Forms translated by M.Elhamian, first edition, Tehran-Part publication, 304 pages
  • The convergence of music, 2009- Adomo’s physiognomical Image of Mahler,I painting and language” E-Theses online, Durham university, Durham, UK
  • The Musical Quarterly On Some Relationships between 1995-Adorno T W, Gillespie S, 66-79 PP.1 79 Music and Painting “ Vol”.
  • Mashayekhi A. 2008. Composition. Available from: [Accessed 7 January 2015]. /en/compositions.htm http://www.alirezamashayekhi.com
  • Veguri R. 2014. Projects. Available from: http://toermagazine.com/tag/projects[Accessed 7 January 2015].
There are 37 citations in total.

Details

Journal Section Articles
Authors

Shila Sheedfar

Navid Khalesi

Publication Date December 18, 2016
Submission Date December 25, 2016
Published in Issue Year 2016 Volume: 2 Issue: 6

Cite

EndNote Sheedfar S, Khalesi N (December 1, 2016) ALIREZA MASHAYEKHI’S PAINTINGS (THE CONTEMPORARY MUSICIAN) AND INFLUENCES OF HIS MUSICAL WORKS ON THEM. IJASOS- International E-journal of Advances in Social Sciences 2 6 659–667.

Contact: ijasosjournal@hotmail.com

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