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Yıl 2018, Cilt 4, Sayı 11, 496 - 502, 31.08.2018
https://doi.org/10.18769/ijasos.455678

Öz

Kaynakça

  • Bhabha, H. J. (1993). Location of Culture. Routledge. Muravchik, J. (2013). Enough Said: The False Scholarship of Edward Said. World Affairs Journal, Retrieved March/April, 2018, from http://www.worldaffairsjournal.org/article/enough-said-false-scholarship-edward-said Ingraham, J. (n.d.). Labour in Jamaica After Emancipation. University of Miami, Retrieved May, 2018, from https://scholar.library.miami.edu/emancipation/jamaica5.htm Kyte, H. (2010, January 27). The Long Song by Andrea Levy: Review. Retrieved April 24, 2018, from https://www.telegraph.co.uk/culture/books/books-life/7087391/The-Long-Song-by-Andrea-Levy-review.html Lake, O. (2003). Blue veins and kinky hair: Naming and color consciousness in African America. Westport, CT: Praeger. Levy, A. (2010). The Long Song. New York: Straux and Giroux. Missouri, M.A. (2015). Black Magic Woman and Narrative Film: Race, Sex and Afro-religiosity. London: PALGRAVE MACMILLAN. Muñoz-Valdivieso, S. (2016). “This tale is of my making”: Empowering voices in Andrea Levy’s The Long Song. Journal of Postcolonial Writing, 52(1), 38-50. doi:10.1080/17449855.2015.1125147 Said, E. W. (1995). Orientalism: Western conceptions of the orient. London: Penguin. Stuart, A. (2011, October 23). The Long Song, By Andrea Levy. Retrieved January, 2018, from https://www.independent.co.uk/arts-entertainment/books/reviews/the-long-song-by-andrea-levy-1889489.html

BHABHA’S AMBIVALENCE AND HYBRIDITY IN ANDREA LEVY’S THE LONG SONG

Yıl 2018, Cilt 4, Sayı 11, 496 - 502, 31.08.2018
https://doi.org/10.18769/ijasos.455678

Öz

The theory of hybridity and ambivalence is not something that is alien to the postcolonial world. First derived from power relations between the colonizer and the colonized, it has now evolved into many different branches. What is understood from it is that it shows that the relationship between those who hold power and those who are under the rule of a people is never clear-cut. It is a give and take relationship and gives many illusions as to how one views the other. Cross-cultural relations are definitely very complex and we can see this in The Long Song. We are always creating new identities as the world becomes more and more globalized. The notion that a culture has to remain unadulterated is a concept that is almost irrelevant. We are constantly creating new identities to help us cope with the different experiences that we have and once we are exposed to it, our way of thinking can never go back to the original. In this paper, I will draw a connection between July’s belonging, identity, and her ability to connect with the many people in her life, from her Mistress Caroline to Massa Robert Goodwin and later, her son and other black or Mulatto people, to the theory on ambivalence and hybridity by Homi Bhabha. At the end of the paper, one will be able to articulate that, given the history of Jamaica, the traits that many postcolonial subjects display go hand in hand with Bhabha’s theories on ambivalence and hybridity. The discourse on postcolonial subjects, even more recent ones, has shown a tendency to correlate with the experiences of their predecessors such as those who were colonized.

Kaynakça

  • Bhabha, H. J. (1993). Location of Culture. Routledge. Muravchik, J. (2013). Enough Said: The False Scholarship of Edward Said. World Affairs Journal, Retrieved March/April, 2018, from http://www.worldaffairsjournal.org/article/enough-said-false-scholarship-edward-said Ingraham, J. (n.d.). Labour in Jamaica After Emancipation. University of Miami, Retrieved May, 2018, from https://scholar.library.miami.edu/emancipation/jamaica5.htm Kyte, H. (2010, January 27). The Long Song by Andrea Levy: Review. Retrieved April 24, 2018, from https://www.telegraph.co.uk/culture/books/books-life/7087391/The-Long-Song-by-Andrea-Levy-review.html Lake, O. (2003). Blue veins and kinky hair: Naming and color consciousness in African America. Westport, CT: Praeger. Levy, A. (2010). The Long Song. New York: Straux and Giroux. Missouri, M.A. (2015). Black Magic Woman and Narrative Film: Race, Sex and Afro-religiosity. London: PALGRAVE MACMILLAN. Muñoz-Valdivieso, S. (2016). “This tale is of my making”: Empowering voices in Andrea Levy’s The Long Song. Journal of Postcolonial Writing, 52(1), 38-50. doi:10.1080/17449855.2015.1125147 Said, E. W. (1995). Orientalism: Western conceptions of the orient. London: Penguin. Stuart, A. (2011, October 23). The Long Song, By Andrea Levy. Retrieved January, 2018, from https://www.independent.co.uk/arts-entertainment/books/reviews/the-long-song-by-andrea-levy-1889489.html

Ayrıntılar

Birincil Dil İngilizce
Konular Sosyal
Bölüm Makaleler
Yazarlar

Karenjit Kaur Bu kişi benim
Malaysia

Yayımlanma Tarihi 31 Ağustos 2018
Başvuru Tarihi 10 Haziran 2018
Kabul Tarihi 26 Temmuz 2018
Yayınlandığı Sayı Yıl 2018, Cilt 4, Sayı 11

Kaynak Göster

EndNote %0 International E-Journal of Advances in Social Sciences BHABHA’S AMBIVALENCE AND HYBRIDITY IN ANDREA LEVY’S THE LONG SONG %A Karenjit Kaur %T BHABHA’S AMBIVALENCE AND HYBRIDITY IN ANDREA LEVY’S THE LONG SONG %D 2018 %J IJASOS- International E-journal of Advances in Social Sciences %P 2411-183X-2411-183X %V 4 %N 11 %R doi: 10.18769/ijasos.455678 %U 10.18769/ijasos.455678

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