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Licco Amar’s (1891-1959) Universe and Times Intersecting With Alla Turca Life: Writing About Music in Turkey

Year 2023, Volume: 32 , 147 - 165, 31.12.2023

Barış Çatal

https://doi.org/10.26650/siyasal.2023.32.1354246

Abstract

There are several reasons for selecting Licco Amar for this study. Firstly, despite the independent contributions regarding the scientists who came to Turkey due to the Second World War, none of them reserves a special place for Licco Amar’s life in Turkey or his writings about music in Turkey. However, this article attempts to provide a perspective through what Licco Amar produced rather than directly dwelling on his life or his days in Turkey. This article focuses on nine articles of Licco Amar, which were published in three different periodicals in Turkey [Kültür Haftası (1936), Yurt ve Dünya (1943-1944), and Müzik Görüşleri (1949-1950)]. One of these articles was published in Kültür Haftası, four of them in Yurt ve Dünya, and four of them in Müzik Görüşleri. Licco Amar is aware that he is writing for the Turkish reader. As early as 1936, when he wrote his earliest article, it is observed that Amar’s writings have the aspect of introducing Turkish readers/music lovers to a musical culture with which they are not familiar. Secondly, his Yurt ve Dünya (1943-1944) and Müzik Görüşleri (1949-1950) articles can be distinguished in terms of the period they were written in. Amar’s Yurt ve Dünya writings addresses more ‘popular’ figures (such as Beethoven and Bach) in classical music genre. Of course, the traditional commemoration of these composers coinciding with the period in which these articles were penned was also influential.

Keywords

Licco Amar Kültür Haftası Yurt ve Dünya Müzik Görüşleri Filiz Ali

References

  • Licco Amar’s Writings in Turkey google scholar
  • Amar, L. (1936). Musiki Tarihinden Işıklar. Kültür Haftası, Issue 5, Istanbul, February 12, 83, 100. google scholar
  • Amar, L. (1943), ‘Beethoven ve Ardında Bıraktığı Şöhret’, Trans. Hayrünnisa Boratav, Yurt ve Dünya, Issue 28, Ankara, April, 112-117. google scholar
  • Amar, L. (1943), ‘Besteleyen Sanatçı, Çalan Sanatçı’, Trans. Unknown, Yurt ve Dünya, Issue 32, Ankara, August, 286-291. google scholar
  • Amar, L. (1944), ‘Historizm ve Müzik: Bach’, Trans. Unknown, Yurt ve Dünya, Issue 38, Ankara, January 15, 63-70. google scholar
  • Amar, L. (1944), ‘Historizm ve Müzik: J.S. Bach (II)’, Trans. Unknown, Yurt ve Dünya, Issue 40, Ankara, February 15, 124-131. google scholar
  • Amar, L. (1949), ‘Hector Berlioz (1803-1869)’, Müzik Görüşleri, Issue 2, November, 13-14. google scholar
  • Amar, L. (1949), ‘Hector Berlioz (1803-1869)’, Müzik Görüşleri, Issue 3, December, 11-13. google scholar
  • Amar, L. (1950), ‘Schönberg’, Müzik Görüşleri, Issue 4, January, 11-12. google scholar
  • Amar, L. (1950), ‘Monteverdi’, Müzik Görüşleri, Issue 6, March, 9-10. google scholar
  • News Reports: google scholar
  • (1933), ‘Bütün Almanya Yahudi’lere Boykot Yapıyor’, Cumhuriyet, March 30, 1. google scholar
  • (1933), ‘Alman Yahudileri Telaş ve Endişe İçinde’, Cumhuriyet, March 30, 6. google scholar
  • (1935), ‘Konservatuarın ikinci konseri’, Cumhuriyet, December 17, 6. google scholar
  • (1935), ‘Konservatuarın 2nci konseri’, Cumhuriyet, December 18, 4. google scholar
  • (1936), ‘Konservatuarın bu kış programı’, Cumhuriyet, November 11, 5. google scholar
  • (1940), ‘Radyo, bugünkü program’, Cumhuriyet, April 2, 4. google scholar
  • Articles: google scholar
  • Aksoy, B. (1985), ‘Tanzimat’tan Cumhuriyete Musıki ve Batılılaşma’, Tanzimat’tan Cumhuriyet’e Türkiye Ansiklopedisi, Vol. 5, Istanbul, 1212-1236. google scholar
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  • Fortune, N. (1985), ‘Monteverdi and the seconda prattica’, Denis Arnold & Nigel Fortune (Ed.), The New Monteverdi Companion, Faber and Faber, 183-215. google scholar
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  • L’Ecuyer, S. (2003), ‘Joseph d’Ortigue’s “Autopsy” of Benvenuto Cellini’, Peter Bloom (Ed.), in Berlioz: Past, Present, Future, University of Rochester Press, 59-75. google scholar
  • Lök, A., & Erten, B. (2002), ‘1933 Reformu ve Yabancı Öğretim Üyeleri’, in Modern Türkiye’de Siyasi Düşünce, Vol. 3, Modernleşme ve Batıcılık, Uygur Kocabaşoğlu (Ed.), İletişim Publishing, Istanbul, 537-544. google scholar
  • Macdonald, H. (2008), ‘Berlioz’s Lost Romeo et Juliette’, Peter Bloom (Ed.), Berlioz, Scenes from theLife and Work, University of Rochester Press, 125-137. google scholar
  • McClatchie, S. (2008), ‘Performing Germany in Wagner’s Die Meistersinger von Nürnberg’, Thomas S. Grey (Ed.), in The Cambridge Companion to Wagner, Cambridge University Press, 134-150. google scholar
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  • Reeve, K. (1992), ‘The Damnation of Faust, or the perils of heroism in music’, Peter Bloom (Ed.), Berlioz Studies, Cambridge University Press, 148-188. google scholar
  • Rieber, A. (2009), ‘Hier gibt es eine Welt aufzubauen - Biographisches zu dem Geiger Licco (Liko) Amar (1891-1959)’, Hindemith-Jahrbuch Annales Hindemith, 2009/XXXVIII, Herausgeber: Hindemith-Institut, Frankfurt/Main, 120-151. google scholar
  • Roche, J. (1985), ‘Monteverdi and the prima prattica’, Denis Arnold & Nigel Fortune (Ed.), The New Monteverdi Companion, Faber and Faber, 159-182. google scholar
  • Vitali, C. (2004), ‘Italy - political and musicial context’, Donald Burrows (Ed.), in The Cambridge Companion to Handel, 3rd Edition, Cambridge University Press, 2004, 24-44. google scholar
  • Yavuz, E. D. (2013), ‘Paul Hindemith ve Türkiye’de Müzik Yaşamının Yapılanması’, Şefik Kahramankaptan (Ed.) Hindemith Raporları, 1935/1936/1937, Trans. Elif Damla Yavuz, Sevda-Cenap And Müzik Vakfı Publications, Ankara, 23-45. google scholar
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  • Aktüze, İ. (2003), Müziği Anlamak, Ansiklopedik Müzik Sözlüğü, Pan Publishing, Istanbul. google scholar
  • Arendt, H. (2014), Totalitarizmin Kaynakları-1, Antisemitizm, Trans. Bahadır Sina Şener, İletişim Publishing, 5th Edition, Istanbul. google scholar
  • Auner, J. (2003), A Schoenberg Reader, Documents of a Life, Yale University Press. google scholar
  • Balkılıç, Ö. (2009), Cumhuriyet, Halk ve Müzik - Türkiye’de Müzik Reformu 1922-1952, Tan Kitabevi Publications, Ankara, google scholar
  • Berry, M. (2019), Arnold Schoenberg, Reaktion Books. google scholar
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  • Bokina, J. (1997), Opera and Politics: from Monteverdi to Henze, Yale University Press. google scholar
  • Bukofzer, M. F., (1947), Music in the Baroque Era: from Monteverdi to Bach, W.W. Norton & Company. google scholar
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  • Feisst, S. (2011), Schoenberg’s New World, The American Years, Oxford University Press. google scholar
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Licco Amar’ın (1891-1959) Evreni ve Alla Turca Yaşamla Kesişen Zamanlar: Türkiye’de Müzik Yazarlığı Yapmak

Year 2023, Volume: 32 , 147 - 165, 31.12.2023

Barış Çatal

https://doi.org/10.26650/siyasal.2023.32.1354246

Abstract

Bu çalışma için Licco Amar’ın seçilmesinin birkaç nedeni bulunmaktadır. Bunlardan ilki II. Dünya Savaşı nedeniyle Türkiye’ye gelen bilim insanları için müstakil çalışmalar bulunsa da bunların hiçbirinde Licco Amar’ın, Türkiye yaşantısının ya da Türkiye’de kaleme aldığı müzik yazılarının özel bir yer tutmamasıdır. Ancak bu yazı doğrudan Licco Amar’ın yaşantısına ya da Türkiye günlerine eğilmek yerine, onun ürettikleri üzerinden bir perspektif denemesi gerçekleştirecektir. Bu makale için Licco Amar’ın Türkiye’de üç farklı süreli yayında [Kültür Haftası (1936), Yurt ve Dünya (1943-1944) ve Müzik Görüşleri (1949-1950)] yayımlanan dokuz yazısına yoğunlaşılmıştır. Bunlardan biri Kültür Haftası’nda, dördü Yurt ve Dünya’da, dördü de Müzik Görüşleri sayfalarında kendisine yer bulmuştur. Licco Amar bu yazıları Türkiyeli okuyucu için yazdığının farkındadır. Daha en erken yazısını kaleme aldığı 1936’dan itibaren yazılarının Türkiyeli okuyucuya/müzikseverlere pek de aşinası olmadıkları bir müzik kültürünü tanıtmak gibi bir yönü olduğu görülmektedir. Yurt ve Dünya (1943-1944) yazıları ile Müzik Görüşleri (1949-1950) yazıları dönemsel olarak birbirinden ayrılabilir. Amar’ın Yurt ve Dünya yazıları klasik müzik janrında daha “popüler” figürleri (Beethoven ve Bach gibi) ele alır. Elbette bunda bu bestecilerin, yazıların kaleme alındığı döneme denk gelen geleneksel anmaları da etkili olmuştur.

Keywords

Licco Amar Kültür Haftası Yurt ve Dünya Müzik Görüşleri Filiz Ali

References

  • Licco Amar’s Writings in Turkey google scholar
  • Amar, L. (1936). Musiki Tarihinden Işıklar. Kültür Haftası, Issue 5, Istanbul, February 12, 83, 100. google scholar
  • Amar, L. (1943), ‘Beethoven ve Ardında Bıraktığı Şöhret’, Trans. Hayrünnisa Boratav, Yurt ve Dünya, Issue 28, Ankara, April, 112-117. google scholar
  • Amar, L. (1943), ‘Besteleyen Sanatçı, Çalan Sanatçı’, Trans. Unknown, Yurt ve Dünya, Issue 32, Ankara, August, 286-291. google scholar
  • Amar, L. (1944), ‘Historizm ve Müzik: Bach’, Trans. Unknown, Yurt ve Dünya, Issue 38, Ankara, January 15, 63-70. google scholar
  • Amar, L. (1944), ‘Historizm ve Müzik: J.S. Bach (II)’, Trans. Unknown, Yurt ve Dünya, Issue 40, Ankara, February 15, 124-131. google scholar
  • Amar, L. (1949), ‘Hector Berlioz (1803-1869)’, Müzik Görüşleri, Issue 2, November, 13-14. google scholar
  • Amar, L. (1949), ‘Hector Berlioz (1803-1869)’, Müzik Görüşleri, Issue 3, December, 11-13. google scholar
  • Amar, L. (1950), ‘Schönberg’, Müzik Görüşleri, Issue 4, January, 11-12. google scholar
  • Amar, L. (1950), ‘Monteverdi’, Müzik Görüşleri, Issue 6, March, 9-10. google scholar
  • News Reports: google scholar
  • (1933), ‘Bütün Almanya Yahudi’lere Boykot Yapıyor’, Cumhuriyet, March 30, 1. google scholar
  • (1933), ‘Alman Yahudileri Telaş ve Endişe İçinde’, Cumhuriyet, March 30, 6. google scholar
  • (1935), ‘Konservatuarın ikinci konseri’, Cumhuriyet, December 17, 6. google scholar
  • (1935), ‘Konservatuarın 2nci konseri’, Cumhuriyet, December 18, 4. google scholar
  • (1936), ‘Konservatuarın bu kış programı’, Cumhuriyet, November 11, 5. google scholar
  • (1940), ‘Radyo, bugünkü program’, Cumhuriyet, April 2, 4. google scholar
  • Articles: google scholar
  • Aksoy, B. (1985), ‘Tanzimat’tan Cumhuriyete Musıki ve Batılılaşma’, Tanzimat’tan Cumhuriyet’e Türkiye Ansiklopedisi, Vol. 5, Istanbul, 1212-1236. google scholar
  • Ayvazoğlu, B. (2003), ‘Peyami Safa’, in Modern Türkiye’de Siyasi Düşünce, Vol. 5, Muhafazakârlık (Ed.) Ahmet Çiğdem, İletişim Publishing, Istanbul, 220-229. google scholar
  • Best, T. (2004), ‘Handel and the Italian language’, Donald Burrows (Ed.), in The Cambridge Companion to Handel, 3rd Edition, Cambridge University Press, 227-237. google scholar
  • Bowers, R. (2007), ‘Monteverdi at Mantua, 1590-1612’, John Whenham & Richard Wistreich, in The Cambridge Companion to Monteverdi, Cambridge University Press, 53-75. google scholar
  • Fortune, N. (1985), ‘Monteverdi and the seconda prattica’, Denis Arnold & Nigel Fortune (Ed.), The New Monteverdi Companion, Faber and Faber, 183-215. google scholar
  • Grey, T. S. (2008), ‘The Jewish question’, Thomas S. Grey (Ed.), in The Cambridge Companion to Wagner, Cambridge University Press, 203-218. google scholar
  • Haar, J. (2000), ‘The Operas and the Dramatic Legend’, Peter Bloom (Ed.), in The Cambridge Companion to Berlioz, Cambridge University Press, 2000, 84-88. google scholar
  • Holoman, D. K. (1989), ‘Portrait in 1859: Les Troyens’, in Berlioz, Harvard University Press, 498-540. google scholar
  • Kemp, I. (1992), ‘Romeo and Juliet and Romeo at Juliette’, Peter Bloom (Ed.), Berlioz Studies, Cambridge University Press, 37-79. google scholar
  • Kolb, K. (2003), ‘Plots and Politics: Berlioz’s Tales of Sound and Fury’, Peter Bloom (Ed.), in Berlioz: Past, Present, Future, University of Rochester Press, 76-89. google scholar
  • Langford, J. (2000), ‘The symphonies’, Peter Bloom (Ed.), in The Cambridge Companion to Berlioz, Cambridge University Press, 53-68. google scholar
  • Laslo, F. A. (1983), ‘Şükran Borcunu Ödemek’, Hürriyet Gösteri, Issue 26, January, 27-29. google scholar
  • L’Ecuyer, S. (2003), ‘Joseph d’Ortigue’s “Autopsy” of Benvenuto Cellini’, Peter Bloom (Ed.), in Berlioz: Past, Present, Future, University of Rochester Press, 59-75. google scholar
  • Lök, A., & Erten, B. (2002), ‘1933 Reformu ve Yabancı Öğretim Üyeleri’, in Modern Türkiye’de Siyasi Düşünce, Vol. 3, Modernleşme ve Batıcılık, Uygur Kocabaşoğlu (Ed.), İletişim Publishing, Istanbul, 537-544. google scholar
  • Macdonald, H. (2008), ‘Berlioz’s Lost Romeo et Juliette’, Peter Bloom (Ed.), Berlioz, Scenes from theLife and Work, University of Rochester Press, 125-137. google scholar
  • McClatchie, S. (2008), ‘Performing Germany in Wagner’s Die Meistersinger von Nürnberg’, Thomas S. Grey (Ed.), in The Cambridge Companion to Wagner, Cambridge University Press, 134-150. google scholar
  • Öncü, A. (2002), ‘Akademisyenler: Üniversite Reformu Söyleminde Batı’, in Modern Türkiye’de Siyasi Düşünce, Vol. 3, Modernleşme ve Batıcılık, Uygur Kocabaşoğlu (Ed.), İletişim Publishing, Istanbul, 521526. google scholar
  • Potter, P. M. (2008), ‘Wagner and the Third Reich: myths and realities’, Thomas S. Grey (Ed.), in The Cambridge Companion to Wagner, Cambridge University Press, 235-245. google scholar
  • Reeve, K. (1992), ‘The Damnation of Faust, or the perils of heroism in music’, Peter Bloom (Ed.), Berlioz Studies, Cambridge University Press, 148-188. google scholar
  • Rieber, A. (2009), ‘Hier gibt es eine Welt aufzubauen - Biographisches zu dem Geiger Licco (Liko) Amar (1891-1959)’, Hindemith-Jahrbuch Annales Hindemith, 2009/XXXVIII, Herausgeber: Hindemith-Institut, Frankfurt/Main, 120-151. google scholar
  • Roche, J. (1985), ‘Monteverdi and the prima prattica’, Denis Arnold & Nigel Fortune (Ed.), The New Monteverdi Companion, Faber and Faber, 159-182. google scholar
  • Vitali, C. (2004), ‘Italy - political and musicial context’, Donald Burrows (Ed.), in The Cambridge Companion to Handel, 3rd Edition, Cambridge University Press, 2004, 24-44. google scholar
  • Yavuz, E. D. (2013), ‘Paul Hindemith ve Türkiye’de Müzik Yaşamının Yapılanması’, Şefik Kahramankaptan (Ed.) Hindemith Raporları, 1935/1936/1937, Trans. Elif Damla Yavuz, Sevda-Cenap And Müzik Vakfı Publications, Ankara, 23-45. google scholar
  • Books: google scholar
  • Aktüze, İ. (2003), Müziği Anlamak, Ansiklopedik Müzik Sözlüğü, Pan Publishing, Istanbul. google scholar
  • Arendt, H. (2014), Totalitarizmin Kaynakları-1, Antisemitizm, Trans. Bahadır Sina Şener, İletişim Publishing, 5th Edition, Istanbul. google scholar
  • Auner, J. (2003), A Schoenberg Reader, Documents of a Life, Yale University Press. google scholar
  • Balkılıç, Ö. (2009), Cumhuriyet, Halk ve Müzik - Türkiye’de Müzik Reformu 1922-1952, Tan Kitabevi Publications, Ankara, google scholar
  • Berry, M. (2019), Arnold Schoenberg, Reaktion Books. google scholar
  • Bloom, P. (1998), The Life ofBerlioz, Cambridge University Press. google scholar
  • Bokina, J. (1997), Opera and Politics: from Monteverdi to Henze, Yale University Press. google scholar
  • Bukofzer, M. F., (1947), Music in the Baroque Era: from Monteverdi to Bach, W.W. Norton & Company. google scholar
  • Clinefelter, J. L., (2005), Artists fort the Reich, Culture and Race from Weimar to Nazi Germany, Berg. google scholar
  • Cremer, J., & Przytulla, H. (1991), Exil Türkei, Deutschsprachige Emigranten in der Türkei, 1933-1945, Verlag Karl M. Lipp. google scholar
  • Esenel, M. (1999), Geç Kalmış Kitap, Sistem Publishing, Istanbul. google scholar
  • Fabbri, P. (1994), Monteverdi, Translated by Tim Carter, Cambridge University Press. google scholar
  • Feisst, S. (2011), Schoenberg’s New World, The American Years, Oxford University Press. google scholar
  • Galkin, E. W., (1988), A History of Orchestral Conducting, in Theory and Practice, Pendragon Press. google scholar
  • Gilbert, D. (Ed.), (1998), Hector Berlioz New Edition of the Complete Works, Volume 6, Prix de Rome Works, Barenreiter. google scholar
  • Gökyay, O. Ş. (1941), Devlet Konservatuvarı Tarihçesi, Maarif Printing House, Ankara. google scholar
  • Göze, E. (1987), Peyami Safa, Kültür ve Turizm Bakanlığı Publications, Ankara. google scholar
  • Guttstadt, C. (2012), Türkiye, Yahudiler ve Holokost, Trans. Atilla Dirim, İletişim Publishing, Istanbul. google scholar
  • Hobsbawm, E. (1996), Kısa 20. Yüzyıl, 1914-1991, Aşırılıklar Çağı, Trans. Yavuz Alogan, Sarmal Yayınevi, Istanbul. google scholar
  • Hodeir, A. (1992), Müzik Türleri ve Biçimleri, Trans. İlhan Usmanbaş, İletişim Publishing, Istanbul. google scholar
  • Iggers, G. G. (2007), Yirminci Yüzyılda Tarihyazımı, Bilimsel Nesnellikten Postmodernizme, Trans. Gül Çağalı Güven, Tarih Vakfı Yurt Publications, 3rd Edition, Istanbul. google scholar
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Details

Primary Language English
Subjects Political Science (Other)
Journal Section Articles
Authors

Barış Çatal 0000-0003-3677-561X

Publication Date December 31, 2023
Submission Date September 2, 2023
Published in Issue Year 2023 Volume: 32

Cite

APA Çatal, B. (2023). Licco Amar’s (1891-1959) Universe and Times Intersecting With Alla Turca Life: Writing About Music in Turkey. Siyasal: Journal of Political Sciences, 32, 147-165. https://doi.org/10.26650/siyasal.2023.32.1354246
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