Research Article
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Year 2017, Volume: 3 Issue: 8, 424 - 435, 31.08.2017
https://doi.org/10.18769/ijasos.336972

Abstract

References

  • Abdin. A. Aldbbag (2003): Studies in Textile and foundations of implementation of clothing. Cairo, dar alfekr alaraby. Alnagawy. A. F.(1983): manmade fibers technology and its mixtures, Alexandria, monshaat almaaref Alnagdy، O.،(1996):design alphabetical,Egyptian book Association. Bahnasy، A.،(2002). north, south- dialogue in Islamic art critical comparative study. sharjah: daerat alealam walthqafa Corbman, B. P., 1983. Textiles Fibers To Fabrics. United States, McGraw-Hill, Inc. Elmofty، A.،(1997). art of decoration and securitization. Damascus, dar Damascus. Elmofty، A.،(2001). Encyclopedia of historical decoration. Damascus, dar Damascus. Ezzat, N. E. G. E. M., 2013. the role of external advertising in achieving sustainable development. faculty of art education forth international conference, art and sustainable development,cairo. Mrzouk، I.،(2007). decoration encyclopedia. ibn sina library. Omar, M. I., (2002). Technology Of Manufactured Fibers. damascus, cairo, Dar alons, dar alkotob alelmia. Quinn، B.،(2013): textile visionaries innovation and sustainability in textile design. London, Laurence king publishing Ltd. Salem, G. S. G., (2016), The Aesthetic Styles In Ceramic Murals In Architecture And Contemporary Interior Architecture. Amesea, vol. 5,6. Shawky، I.،(2001), Art and design. cairo, zhraa asharqe. Slama، R. H.،(2016): Creativety as an approach for vivification of heritage crafts towards world promotion. Amesea،vol.5,6. Sultan، M. A.،(1990), manmade fibers. alexandria: monshat almaaref. Zaki، M. a. a. (1996), Art And Design, Almousky press. Mawdoo3.com(2017). http://dictionary.cambridge.org/Dictionary/English/varnish. (2017). https://en.m.wikibedia.org/wiki/polyvinyl_acetate. (2017). https://en.m.wikipedia.org>wiki>Sustainability. (2017). https://en.wikipedia.org>wiki>polymer(2017). www. Dictionary. com > browse >varnish., (2017).. www.cmu.edu.،. > gelfand> k12-teachers,(2017). www.marefa.org., 2017. www.marefa.org. (2017).

FABRICS REMNANTS AS A SOURCE TO CREATE SUSTAINABLE MURAL HANDICRAFTS INSPIRED BY ISLAMIC ARTS

Year 2017, Volume: 3 Issue: 8, 424 - 435, 31.08.2017
https://doi.org/10.18769/ijasos.336972

Abstract

The field of handicrafts depends on experimentation, so the researcher choose Fabrics because it is
considered one of the available materials, which can be divided to natural
fabrics, industrial fabrics and mixing between the two of them, it has a lot of
patterns and colors,  also it has
porosity, suppleness and tenderness, fabrics use was limited on its original
nature without any change or treatment, so the researcher tried to change this
nature and turn it to become one  of  the sustainable materials, which can be used
in handicrafts to create sustainable mural handicraft inspired by Islamic arts,
The research problem is summarized in the following questions:   



·  Can the fabrics remnants be used as a source to create sustainable
mural handicrafts?



·  Can some technical treatments be applied to give the remnants of
fabrics hardness and sustainability?



So the researcher assumed that:



·  Some technical treatments can be applied to give the remnants of
fabrics hardness and sustainability.



·  The remnants of technical treated fabrics can be used to create
sustainable mural handicrafts inspired by Islamic arts.



the research aim is about having benefit from the fabrics which is treated
technically by the  polymers, such as
(polyvinyl acetate) and (transparent wood varnish), to give remnants of fabrics
hardness and sustainability in the handicraft, the research Importance appears
in being one of the researches that contributes to sustainable development in
handicrafts field, and it includes a lot of special technical ways to use
fabrics remnants, this research cares about inspiring some of geometric and
floral  Islamic decorative  units, it is expected to have an economic
payoff from this research if it has been applied in the field of small projects,
this study includes six main themes:



1. defining the fabrics kinds, 2. defining the polymers and its types
which has been used in this research, 3. The concept of sustainability, 4. the
meaning of mural handicraft, 5.the Islamic decorative units types,6.the
experimental application which has been applied by the students of the third
year at the art education department – faculty of specific education
–Alexandria university, they applied a lot of technical ways such as (rolling,
quilling, crimping ) on the remnants of fabrics to implement it on the Islamic
decorative units, then each one of the students made two pieces of
handicrafts  one of them is 40×40 cm and
the other is 20×20 cm.



at the end of the experiment the researcher made a work shop to
collect the students̓ handicrafts together to form the mural handicraft, which
consists of 64 handicrafts size of 40×40 cm and 72 handicrafts size of
20×20 cm which have been divided in two opposite walls, it was great joy for the
students to see their handicrafts on the department walls one next to the other,
also it was impressive mural handicraft , because it has a variety of
techniques, colors, geometric and floral Islamic decorative units, and two
different sizes of the handicrafts, all this give the mural handicraft variety, unity,
harmony and integration, then the results and recommendations are presented
followed by references. 

References

  • Abdin. A. Aldbbag (2003): Studies in Textile and foundations of implementation of clothing. Cairo, dar alfekr alaraby. Alnagawy. A. F.(1983): manmade fibers technology and its mixtures, Alexandria, monshaat almaaref Alnagdy، O.،(1996):design alphabetical,Egyptian book Association. Bahnasy، A.،(2002). north, south- dialogue in Islamic art critical comparative study. sharjah: daerat alealam walthqafa Corbman, B. P., 1983. Textiles Fibers To Fabrics. United States, McGraw-Hill, Inc. Elmofty، A.،(1997). art of decoration and securitization. Damascus, dar Damascus. Elmofty، A.،(2001). Encyclopedia of historical decoration. Damascus, dar Damascus. Ezzat, N. E. G. E. M., 2013. the role of external advertising in achieving sustainable development. faculty of art education forth international conference, art and sustainable development,cairo. Mrzouk، I.،(2007). decoration encyclopedia. ibn sina library. Omar, M. I., (2002). Technology Of Manufactured Fibers. damascus, cairo, Dar alons, dar alkotob alelmia. Quinn، B.،(2013): textile visionaries innovation and sustainability in textile design. London, Laurence king publishing Ltd. Salem, G. S. G., (2016), The Aesthetic Styles In Ceramic Murals In Architecture And Contemporary Interior Architecture. Amesea, vol. 5,6. Shawky، I.،(2001), Art and design. cairo, zhraa asharqe. Slama، R. H.،(2016): Creativety as an approach for vivification of heritage crafts towards world promotion. Amesea،vol.5,6. Sultan، M. A.،(1990), manmade fibers. alexandria: monshat almaaref. Zaki، M. a. a. (1996), Art And Design, Almousky press. Mawdoo3.com(2017). http://dictionary.cambridge.org/Dictionary/English/varnish. (2017). https://en.m.wikibedia.org/wiki/polyvinyl_acetate. (2017). https://en.m.wikipedia.org>wiki>Sustainability. (2017). https://en.wikipedia.org>wiki>polymer(2017). www. Dictionary. com > browse >varnish., (2017).. www.cmu.edu.،. > gelfand> k12-teachers,(2017). www.marefa.org., 2017. www.marefa.org. (2017).
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Details

Journal Section Articles
Authors

Basma Mohamed Aboelyazeed Mahmoud

Publication Date August 31, 2017
Submission Date September 6, 2017
Published in Issue Year 2017Volume: 3 Issue: 8

Cite

EndNote Mahmoud BMA (August 1, 2017) FABRICS REMNANTS AS A SOURCE TO CREATE SUSTAINABLE MURAL HANDICRAFTS INSPIRED BY ISLAMIC ARTS. IJASOS- International E-journal of Advances in Social Sciences 3 8 424–435.

Contact: ijasosjournal@hotmail.com

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