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TANBUR AS STRINGED MUSIC INSTRUMENT: ROLE, QUALITIES, INFLUENCES ON YARSANISM

Year 2016, Volume: 2 Issue: 4, 49 - 59, 22.04.2016
https://doi.org/10.18769/ijasos.11132

Abstract

This research extends on historical background and mythic structure of Yarasanism through a survey of principal concepts of their beliefs. History of Tanbur and its usages are investigated through introducing three major Mughams with a special focus on Haqqni Mugham. This research study was conducted via descriptive -analytical method and library method. This study also identifies some features and symbols of Tanbour as music instrument and its correlation with Yarsan beliefs including individuals, numbers, legends, etc. This research also addresses a relation between Tanbour and Yarsan identity. The results show that Tanbour preserved language, literature (poetry), and music.

References

  • Aalinejad, Sayed Khalil. (1997), Tabor from ancient times till now, Knowledge and technique Press.
  • Ardalan, Hamidreza. (2007), Historical and mythical interpretation of rituals of devotees, the Kurd Sufis and Dervishes of Iran, PHD Thesis (Arts Studies Field), Art University Of Tehran.
  • Darvishi, Mohammad Reza. (2001), Haft Ourang (A review of local and traditional music of Iran), Houzeh Honari Press.
  • Darvishi. Mohammad Reza. (2001). Encyclopedia of Iranian instruments (1) Volume I - String, Plectrum and a bowed Instruments of Iran, Mahour Press.
  • During, Jean. (1989), Musique et Mystique dans les traditions de L`Iran. Institut Francais de recherché en Iran. Paris-Tehran.
  • Elahi, NoorAli. (1994), Burhan-al-Haqq, Jeyhoun Press.
  • Kaki, Heydar. (2009), Understanding Tanbour, Navid Shiraz Press.
  • Khodabandeh, Abdullah. (2003), Understanding Ahl-e-Haqq Sect, Amirkabir Press.
  • Minorsky, V. (1921), Secte des Ahle-Haqq. Ernest Lerox, Paris.
  • Mokri, Mohammad. (1966), Nur Ali-shah Elahi- Lesoterism Kurde. Edition Albin Michel, Paris.
  • Sedigh, Safizade. (1996), Final Letter (Khazaneh Kalaam, The most important Yarsanism old books), Hirmand Press.
  • Souri, Mashallah. (1965), Ritual hymns of Yarsanism, Amirkabir Press.
Year 2016, Volume: 2 Issue: 4, 49 - 59, 22.04.2016
https://doi.org/10.18769/ijasos.11132

Abstract

References

  • Aalinejad, Sayed Khalil. (1997), Tabor from ancient times till now, Knowledge and technique Press.
  • Ardalan, Hamidreza. (2007), Historical and mythical interpretation of rituals of devotees, the Kurd Sufis and Dervishes of Iran, PHD Thesis (Arts Studies Field), Art University Of Tehran.
  • Darvishi, Mohammad Reza. (2001), Haft Ourang (A review of local and traditional music of Iran), Houzeh Honari Press.
  • Darvishi. Mohammad Reza. (2001). Encyclopedia of Iranian instruments (1) Volume I - String, Plectrum and a bowed Instruments of Iran, Mahour Press.
  • During, Jean. (1989), Musique et Mystique dans les traditions de L`Iran. Institut Francais de recherché en Iran. Paris-Tehran.
  • Elahi, NoorAli. (1994), Burhan-al-Haqq, Jeyhoun Press.
  • Kaki, Heydar. (2009), Understanding Tanbour, Navid Shiraz Press.
  • Khodabandeh, Abdullah. (2003), Understanding Ahl-e-Haqq Sect, Amirkabir Press.
  • Minorsky, V. (1921), Secte des Ahle-Haqq. Ernest Lerox, Paris.
  • Mokri, Mohammad. (1966), Nur Ali-shah Elahi- Lesoterism Kurde. Edition Albin Michel, Paris.
  • Sedigh, Safizade. (1996), Final Letter (Khazaneh Kalaam, The most important Yarsanism old books), Hirmand Press.
  • Souri, Mashallah. (1965), Ritual hymns of Yarsanism, Amirkabir Press.
There are 12 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Seyedeh Sara Seyedahmady Zavieh

Mohammad-Reza Darvishi

Azadeh Mehrpouyan

Publication Date April 22, 2016
Submission Date April 21, 2016
Published in Issue Year 2016Volume: 2 Issue: 4

Cite

EndNote Seyedahmady Zavieh SS, Darvishi M-R, Mehrpouyan A (April 1, 2016) TANBUR AS STRINGED MUSIC INSTRUMENT: ROLE, QUALITIES, INFLUENCES ON YARSANISM. IJASOS- International E-journal of Advances in Social Sciences 2 4 49–59.

Contact: ijasosjournal@hotmail.com

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